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Share This Lesson Big Arpeggios, Part II by Matthew Brown (9255) • Email this Lesson to a Friend • Bookmark this lesson page onsite • Send Feedback to this member about this lesson • Rate this lesson (5 is best): 5  4  3  2  1

Pages: 1  2  3     Suggested Tempo: 120

This is an example of the type of pseudo-baroque line that these spread-out arpeggios can easily form. This line includes different types of triads and meanders a bit tonally before concluding on a C major. Notice in measure two the use of the open A string to allow a quick shift downward. These kinds of lines are especially useful in beefing up a solo, or accompanying a single-line melody. On fretless, they encourage attention to hand position and intonation: if your fingers aren't right where they should be, the arpeggios will let you know by sounding truly awful.

from measure  1 2 3 4 5 6  to  1 2 3 4 5 6

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